9:48 p.m. March 31, 2023 Cybermonk
voice 🎙💥🤖 dictation, completely error free
In addition to these 4 points:
- The trees require re-assessment at each scope of detail, per recursive YI and YO morphology.
- The leg-hanging figure must be explained: why are the hand heights wrong? (Matching knees.)
- Relative hand-heights is a driving theme, climaxing in the problematic hands of psalter viewer (right-hand fingertip height), bucket receiver, balance-holder, and hanging upside-down figure.
- The bins, bucket, and dumb happy guy scene depicts psilocybin.
Additionally, today p.m. March 31, 2023 while talking through image f134, I found several obvious things that you would have to be stupid not to see them and realize them, and I don’t think that I wrote about them or perceived them in the past:
- Row 2 right: Funnel Hat sage standing on no leg = hanging from right leg = 3 degrees of analogy-indirection comprehension. Forearm points to hands of hanging guy, fingers point up to feet and knee. Row 3 middle points to sage’s pointing arm, connecting the source of mushrooms with the relative limb-heights of the hanging guy.
- Blade touches left limb: row 1 middle (sword), row 2 middle (swords), row 3 left (scythes), row 3 middle (plow blades).
- Row 3 right: right heel touches stable plow foot, right leg touches rear right leg of ox.
- Row 2 middle: She holds closed scroll with scale balance: knowledge/message that relying on left foot possibilism-thinking causes loss of control. She’s the stable self-control of the ordinary state. Her right ear points at top of stable column base with right foot of cybercide guy, while her eyes point at bowman and swordsman, connecting these pointing-targets.
also tonight 4 hours of talking much on this, incl: at 40:00 of 2.5 hrs: balance woman = when not in psilocybin state, left foot possibilism-thinking is stable. scroll closed in left hand. she is left foot on stable balance bc scroll closed, ord state.
She represents/ depicts the stability that you have in the ord state; tightcog.
The biggest one is my failure to perceive the pattern of blade touching left foot and blade touching left hand
we see this a lot in row three: the Malformed guy has his right foot forward and his left foot is on the ground , which is a mystery of why is both feet on the ground, that I was wondering recently, and today I solved it , because:
although his left foot is on the ground, his left foot touches a blade: the scythe.
Then we have the pair of guys harvesting the msh crop plow with two blades
they each have one leg
well
the guy who only has a left leg is standing on a blade, and his left leg is touching a blade of the plow
then the plow man on the right
yesterday or past couple days I use straight edge and microscope To draw looking lines and determined that
he is pointing at the hand of the floating Sage
and tonight I recognized, I solved the problem that the arm of the floating sage is in an inconsistent direction: the forearm points one way and the fingers point another way
but tonight I solved that
his left forearm and fingers are simultaneously pointing at two different things
his forearm is pointing at the hands of the leg hanging guy , and his fingers are pointing up at the feet and right knee of the leg hanging guy
so that double pointing arm of the floating Sage is pointed to by the guy on row three, who only has a right leg
then tonight I also noticed that his right leg is not touching a blade, but it’s touching the wooden foot of the plow, which equals stable
and his right leg is touching the butt of the ox , which is where mushrooms come from
Double pointing (series/ chain) means that the guy on row 3, where the source of the mushrooms, is pointing through the sage on row two pointing to both the hands and feet and knee of the leg hanging guy
and he is not exactly “debating possibility branching versus non-Branching” as I said before, but the two guys who each have one leg are setting up a clear pattern
we have
just like row two right We have the left guy representing incorrect unstable possibility branching thinking
and then next in step two, we are shown the stable guy who stands on right leg
and those , that pair of people sets up the problem statement , which is represented by the floating sage on row two right, who says that the feet relative height of the leg hanging guy contradict the hand relative height
and is he — how is he retaining his balance, given that he is in a state of self-contradiction??
well it turns out that it is easy to explain the leg hanging guy’s relative hand heights: simply match the physically necessary heights of his knees when hanging from a tree
and also physically dictated and not arbitrary Is the fact that his right foot is lower than his right knee
that is necessary in order to hang from a branch
So then the only artistic choice that’s left is : — — how high to paint the left foot of the upside down guy — and it is natural to have, due to the dangling left knee, have the left foot — the knee of the leg to have the left foot end up higher than the right foot —
OK then that leaves only one artistic question that is unclear /
why does the artist allow the bad left heel to touch the good right knee??
The first candidate answer is in terms of including that in image F177 a major theme is that the illusion of branching obscures the reality of non-branching:
Image f177 🐴 Left: Cross-Unders
so the left limb crosses on top of the right limb except through the person who has reached 100% ego death in the shroud
in that state of consciousness, the right hand wrist becomes fully revealed, no longer hidden by the left hand wrist
this message is bought at a great expense by the artist
that message is purchased by the artist who goes to the extreme of destroying the crossing under in the Mushroom Tree
it is at least 50% skewed and ruined, in the same image where he proves to be such a perfect master of the art that he is able to have the horses point with their eyes to a particular cap of that mushroom tree
yet he completely botches the crossing under of the branch so severely that I was unable to draw a straight white line joining the two visible parts of the good, rightmost, nonbranching branch
that’s a good reason why maybe the artist chose to have the bad left heel of the upside down guy covering the right knee which is the good knee
and another reason is that if you hang this way, you might find that you have to tuck your left heel to secure your right knee in this way — hard to say without doing the experiment
Also tonight I determined the unnatural angle of the head of the woman holding the balance, as if she is listening with her right ear
she’s pointing with her head angle which contradicts her eyes, so that could make it even more significant of what her strange angle of her head means
a cpl days ago i developed this as my fav crop of his fingertip control — but it excludes the target of her ear-pointing: the top of the stable column base:
she points at two things at once, connecting them. Surfing the edge of loss of control based on which mental worldmodel is used, which leg your weight is on.
she stands on stable column base with the left foot that gives loss of control when in loosecog, but she is in tightcog , as indicated by holding closed scroll.
to make a statement that
“left leg thinking is unstable when is the altered state”
is equivalent to the complementary statement that
“left leg thinking is stable when in the ordinary state”.
she connects two stable column bases: the one she stands on and the one that she points at with her ear.
cont:
because she’s not looking down in that direction, and yet she’s angling her head as if she’s gesturing with her head
well it turns out that her right ear is exactly pointed at the right heel or foot of the row 2 cybernetic suicide guy who is upside down
Image f177 🐴 Entire, Mushroom Items
Image f177 🐴 Cross-Unders
do extra analysis and pay extreme attention to the fact that the right wrist of Shroud is visible.
this is presented as being highly significant in this image because of placement under stable tower under balancing guy, and because of the signaling of the crossing under of the mushroom tree right hand branch
when you reach complete ego death then the nonbranching right hand model reality becomes visible.
given that that is a major motif in image F177, this opens the real possibility likelihood that the left hand (= illusory appearance) of the balancing tree guy in f134 is deliberately hiding / occluding the right-hand, “true” branch, which represents non-branching reality.
otherwise, usually, that is occluded by the surface appearance of branching.
f134 🍄🌳🙃
😵🤦♂️ aw man i just gave up and didnt even draw box on row 3 left deformed guy: bc a few days ago, i FAILED to explain why both feet down: ANSWER: (obviously!): blade touches L foot — DOH!
So I looked at all the blades look at every blade in this picture and they’re always touching in some way a left limb
and so people look at this picture and they go “our Psychedelic Renaissance marketing department can’t use this picture, because there’s too many blades”
but how many are going to notice that all of the blades touch a left limb
So identifying the meaning of her head angle this way by using straight edge and microscope magnifying and the high resolution original image at the library, I have identified angles
this is a theme tonight, is straight edge and angles , not just for looking lines, but also for gesturing and pointing
we have a lot of pointing going on in this picture
We have row 2 right floating sage pointing one way with the forearm , and pointing a different angle with the fingers
we have row three middle pointing at the Row 2 pointing arm
and we have the woman with the balance row to middle pointing with the angle of her head
and we have a lot of people pointing with their eyes in this image
another bonus advantage of identifying a sensible target to explain the strange angle of her head is that this now brings into the scene the cybernetic happy suicide into the room scene. cybercide
I also found that the passing student in upper left hand aligns with the two hands of the hanging guy
and a couple of other alignments that I determined with a straight edge in the high resolution image along these lines
so as I have noted in the draft of article “branching message mushroom trees” in the list of features for this image
f177:
odd crops, why no entire bag? — I guess to force the focus to be on the mushrooms (or potatoes in the case of Hatsis’ naturalistic reading for losers, those on the outside)
search blue potatoes https://www.bing.com/images/search?q=blue+potatoes that are semi-spear shaped
The Great Art Historian Thomas Hatsis Positively Identified them as Adirondack Semilanceata 🔵🔵🔵🥔🥔🥔 🏆
because against John Rush, a “naturalistic” [ie ordinary-state] reading is always neutral, unbiased, and avoids culturecide
f145:
f177: be sure to securely lock up your potatoes, to keep them away from minors, Hatsis:
carefully weighing out 5 g of dried french fries for Hatsis as his reward for his great job being a “naturalistic” psychedelic witch– I mean historian:
which I have a ridiculous number of crops of image f134 in the draft article, branching-message mushroom trees: eight or nine crops of the same single image!
and there is no way, there is no room for these
there’s only 20 pages available!
I’m going to have to delete a bunch of crops, like I really need to make do with about maybe three crops total for this image
I can’t have eight, I can’t have nine — there’s no room!!
See Also
list of features for f134 🙃
Proof Psilocybe article:
The Egodeath theory 